The Delicate Distress
Against a backdrop of rural England and Paris of the ancien regime, Griffith reimagines the epistolary novel of sensibility in the tradition of Samuel Richardson and Jean-Jacques Rousseau from a feminist perspective that centers on strong, intelligent, and virtuous women. Two sisters exchange letters about urgent ethical questions concerning love, marriage, morality, art, the duties of wives and husbands, and passion versus reason, while two men correspond about the same subjects. At the story's center is the deep distress of Emily Woodville, a virtuous young newlywed who suspects her husband of infidelity with a French marchioness from his past.
The third volume in the series Eighteenth-Century Novels by Women, The Delicate Distress contributes to our understanding of the development of the novel. As Cynthia Ricciardi and Susan Staves show, Griffith's exploration of the psychology of characters who observe and reflect but engage in no grand public actions anticipates Henry James. The editors' introduction places The Delicate Distress firmly in the tradition of the English novel, provides the most complete biography available on Griffith's life, and brings together the most important eighteenth- and twentieth-century criticism of the novelist's work.
About the Author
Susan Staves is professor of English at Brandeis University.
"An excellent scholarly introduction providing information on the place of this novel in literary history and on Griffith's background as a professional actress, translator of French novels, and playwright, as well as a novelist of sensibility. . . . Access to such 18th-century novels written by women is crucial to developing an understanding of literary history and of the novel as a genre."—Choice
"Fill(s) a genuine need among scholars and students interested in early British women novelists."—Kritikon Litterarum
"A novel about a utopian community founded and run by wealthy women who had previously been victimized in various ways."—Kritikon Litterarum
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