Hardback
May 3, 2013
9780295992051
English
264
4 illus.
9.00 Inches (US)
6.00 Inches (US)
1.05 Pounds (US)
$95.00 USD, £72.00 GBP
v2.1 Reference
Paperback / softback
May 3, 2013
9780295992297
English
264
4 illus.
9.00 Inches (US)
6.00 Inches (US)
.75 Pounds (US)
$30.00 USD, £22.99 GBP
v2.1 Reference

Women's Poetry of Late Imperial China

Transforming the Inner Chambers

This study of poetry by women in late imperial China examines the metamorphosis of the trope of the "inner chambers" (gui), to which women were confined in traditional Chinese households, and which in literature were both a real and an imaginary place. Originally popularized in sixth-century "palace style" poetry, the inner chambers were used by male writers as a setting in which to celebrate female beauty, to lament the loneliness of abandoned women, and by extension, to serve as a political allegory for the exile of loyal and upright male ministers spurned by the imperial court. Female writers of lyric poetry (ci) soon adopted the theme, beginning its transition from male fantasy to multidimensional representation of women and their place in society, and eventually its manifestation in other poetic genres as well.

Emerging from the role of sexual objects within poetry, late imperial women were agents of literary change in their expansion and complication of the boudoir theme. While some take ownership and de-eroticizing its imagery for their own purposes, adding voices of children and older women, and filling the inner chambers with purposeful activity such as conversation, teaching, religious ritual, music, sewing, childcare, and chess-playing, some simply want to escape from their confinement and protest gender restrictions imposed on women. Women's Poetry of Late Imperial China traces this evolution across centuries, providing and analyzing examples of poetic themes, motifs, and imagery associated with the inner chambers, and demonstrating the complication and nuancing of the gui theme by increasingly aware and sophisticated women writers.

About the Author

Xiaorong Li is associate professor of Chinese literature at the University of California, Santa Barbara.

Reviews

"An important addition to the study of Ming-Qing women [that]ground[s] the study of poetic images and syntax in the contexts of women's experience as readers, writers, and historical agents."—Wai-yee Li, Harvard Journal of Asiatic Studies

"Xiaorong Li's book opens up this lost world for readers. . . . This book offers an insightful peep into the inner chambers of late-imperial China. It is just as suitable for general readers as it is for those who have foundational knowledge of Chinese history and literature. . . . [A]n enjoyable introduction to Chinese women's history."—Queenie Kwan Yee Lo, New England Journal of History

"[A]n illuminating study of Chinese women's poetry from the late Ming to the early Republic, focusing on the trope of the gui ("boudoir" or "inner quarters"). . . . In giving sensitive translations and insightful commentaries on this "boudoir" poetr, Xiaorong Li has demonstrated its relevance far beyond the inner quarters in documenting three centuries of women's participation in social, political and cultural change."—Paul S. Ropp, China Quarterly, The

"The book successfully shows the manifold significance of the poetics of the gui, which fills a gap in Western scholarship on women poets in late imperial China. . . . A valuable addition to the field of gender studies and the field of traditional Chinese poetry and poetics."—Ji Hao, Ming Studies

Endorsements

"Li Xiaorong's study is ambitious, comprehensive, and wide-ranging, presenting a multi-dimensional but ultimately coherent view of the seemingly simple notion of 'gui.'"—Beata Grant, author of Eminent Nuns: Women Chan Masters of Seventeenth—Century China

"A highly ambitious and thoughtful approach to a complex and intriguing subject. Li discusses convincingly how Ming-Qing women's literary discourse both relates, and challenges, the existing power (mainly male) structures in Chinese literature. A very important book."—Kang-I Sun Chang, co-editor of Women Writers of Traditional China and The Cambridge History of Chinese Literature

University of Washington Press

9780295992051 : womens-poetry-of-late-imperial-china-li
Hardback
264 Pages
$95.00 USD
9780295992297 : womens-poetry-of-late-imperial-china-li
Paperback / softback
264 Pages
$30.00 USD

Other Titles in HISTORY / Asia / China

Eastward of Good Hope

Dane A. Morrison
Nov 2021 - Johns Hopkins University Press
$54.95 USD - Hardback
$54.95 USD - Electronic book text

Arranged Companions

Weijing Lu
Jul 2021 - University of Washington Press
$95.00 USD - Hardback
$30.00 USD - Paperback / softback

Ancient Egypt and Early China

Anthony J. Barbieri-Low
Jul 2021 - University of Washington Press
$50.00 USD - Hardback

Other Titles in Ethnic minorities & multicultural studies

Art of the Northwest Coast, second edition

Aldona Jonaitis
Apr 2021 - University of Washington Press
$95.00 USD - Hardback
$29.95 USD - Paperback / softback

The Coming of the Spirit of Pestilence

Robert T. Boyd
Feb 2021 - University of Washington Press
$60.00 USD - Hardback
$30.00 USD - Paperback / softback

Totem Pole Carving, second edition

Vickie Jensen
Oct 2020 - University of Washington Press
$29.95 USD - Paperback / softback