Trilce

"Blake's Milton, Pope's Homer: for the poet the possessive is neither descriptive nor evaluative, but copulative, possessive. Clayton Eshleman earns his apostrophe."—Voice Literary Supplement

"This is a poet's translation: rhythmical, with words often chosen for their sounds as well as their meanings . . . [It] also presents 'a newly established Spanish text,' and is destined to become a classic."—Publishers Weekly

"When Vallejo disarticulates Spanish he does so not out of complacency with his own strangeness, but because he has certain moral and aesthetic truths to express and must utter them in an idion of his own making . . . Vallejo's deepest political impact lies here, in his re-creation of linguistic, and therefore social, order . . . Trilce abounds in neologisms, and Eshleman ushers a number of funky new verbs into English."—The New Republic

"Blake's Milton, Pope's Homer: for the poet the possessive is neither descriptive nor evaluative, but copulative, possessive. Clayton Eshleman earns his apostrophe."—Voice Literary Supplement

"[Eshleman's] versions are hard-earned and thoroughly tested . . . Struggling to read [Vallejo] in both Spanish and English is an invitation to learn [his] strange and disturbingly intimate idiolect. Clayton Eshleman's translation is an excellent point of departure."—Times Literary Supplement