Paperback / softback
January 1, 1999
9780295976488
English
352
209 illus.
2.5 Pounds (US)
$45.00 USD, £36.00 GBP
v2.1 Reference

Trading Identities

The Souvenir in Native North American Art from the Northeast, 1700-1900

This book examines a range of art forms produced by Indians in northeastern North America for sale to travelers and tourists during the eighteenth and nineteenth centuries. The Aboriginal peoples of the Woodlands were the first in North America to experience economic and social marginalization and, in consequence, the first to rely on the production of commodities for the tourist trade. These hybrid art forms combine indigenous materials and techniques such as quillwork, moosehair embroidery, birchbark, and basketry with Euro-American genres and styles. Tourist art of the period is generally of high quality and great aesthetic interest. Yet scholars have largely ignored these objects because of their incorporation of Euro-North American influences.

Throughout the eighteenth and nineteenth centuries the production, sale, and consumption of tourist art constituted a system for the circulation of objects within which images of Indianness were negotiated. To produce marketable commodities, Aboriginal people constructed images of themselves that mediated European notions of the savage, the natural, and the primitive. By accepting this imagery, colonizers and settlers naturalized their own identities as the rightful successors to the "Indians." While stereotypes of Indianness were being transported into parlors and bedchambers, the objects made for sale were also influencing things Aboriginal people made for their own use. The beaded purses, pincushions, and shopping baskets carried Euro-American styles and concepts into aboriginal communities, together with associated ideas of gender roles and domestic organization.

An innovative combination of fieldwork, art historical analysis, and historical contextualization, this study for the first time rigorously compares a Native souvenir production to a wide range of Euro-American decorative arts and home crafts. It identifies the sources of object types and styles and reveals the innovative differences displayed by Aboriginal trade wares. Images newly uncovered in archives and travel literature—including depictions of Native vendors and makers—illustrate the book, along with never before displayed or published objects from museum collections in Europe and North America.
University of Washington Press

9780295976488 : trading-identities-phillips
Paperback / softback
352 Pages
$45.00 USD

Other Titles by Ruth B. Phillips

Bill Reid and Beyond

edited by Karen Duffek, Charlotte Townsend-Gault, foreword by Nika Collison, preface by Ruth B. Phillips
Mar 2004 - University of Washington Press
$40.00 USD - Hardback

Other Titles in ART / Native American

Miskwabik, Metal of Ritual

Amelia M. Trevelyan
Dec 2021 - University Press of Kentucky
$80.00 USD - Hardback
$80.00 USD - Electronic book text

Painful Beauty

Megan A. Smetzer, hD
Jul 2021 - University of Washington Press
$39.95 USD - Hardback

Each/Other

John P. Lukavic, with contributions by Jami C. Powell, Namita Gupta Wiggers
Jul 2021 - Denver Art Museum
$30.00 USD - Hardback

Other Titles in Ethnic minorities & multicultural studies

Signs of Home

Barbara Johns, foreword by Stephen H. Sumida
Aug 2021 - University of Washington Press
$34.95 USD - Paperback / softback
$49.95 USD - Hardback

Art of the Northwest Coast, second edition

Aldona Jonaitis
Jun 2021 - University of Washington Press
$99.00 USD - Hardback
$29.95 USD - Paperback / softback

The Coming of the Spirit of Pestilence

Robert T. Boyd
Feb 2021 - University of Washington Press
$30.00 USD - Paperback / softback
$60.00 USD - Hardback