Hardback | |
January 2, 2024 | |
9780253067531 | |
English | |
1168 | |
89 b&w tables, 122 printed music items | |
10.00 Inches (US) | |
7.00 Inches (US) | |
$75.00 USD, £59.00 GBP | |
v2.1 Reference | |
The Symphonic Repertoire, Volume V
The Symphony in the Americas
Edited by Brian Hart
With A. Peter Brown, Contributions by Katherine Baber, E. Douglas Bomberger, J. Peter Burkholder, Carol A. Hess, Susan Key, Drew Massey, Matthew Mugmon and Douglas Shadle
With A. Peter Brown, Contributions by Katherine Baber, E. Douglas Bomberger, J. Peter Burkholder, Carol A. Hess, Susan Key, Drew Massey, Matthew Mugmon and Douglas Shadle
Central to the repertoire of Western art music since the 1700s, the symphony has come to be regarded as one of the ultimate compositional challenges.
In his series The Symphonic Repertoire, the late A. Peter Brown explored the symphony from its 18th century beginnings into the 21st century. In volume V, The Symphony in the Americas, Brown's former students and colleagues collaborate to complete the work he began on this critical period of development in symphonic history. The research and adds to an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. This volume presents current overviews of the status of research, deals with unique challenges for the development of the symphony in the United States and Latin America, illuminates the style of specific works and their contexts, and samples early writings on their reception.
This much-anticipated fifth volume of The Symphonic Repertoire—The Symphony in the Americas—offers a user-friendly, comprehensive history of the symphony genre in the United States and Latin America.
In his series The Symphonic Repertoire, the late A. Peter Brown explored the symphony from its 18th century beginnings into the 21st century. In volume V, The Symphony in the Americas, Brown's former students and colleagues collaborate to complete the work he began on this critical period of development in symphonic history. The research and adds to an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. This volume presents current overviews of the status of research, deals with unique challenges for the development of the symphony in the United States and Latin America, illuminates the style of specific works and their contexts, and samples early writings on their reception.
This much-anticipated fifth volume of The Symphonic Repertoire—The Symphony in the Americas—offers a user-friendly, comprehensive history of the symphony genre in the United States and Latin America.
About the Authors
Brian Hart is Professor of Music History at Northern Illinois University. He is the author of "The French Symphony after Berlioz: From the Second Empire to the First World War" in Volume 3B of The Symphonic Repertoire. He has written and presented on various topics relating to French symphonic music and culture including Vincent d'Indy's influence on French symphonic development, Debussy and the symphony, the French organ symphony, the symphonies of Arthur Honegger, and competing cultural and political interpretations of the symphony in fin de siècle France. He is the author of entries on César Franck, Arthur Honegger, Vincent d'Indy, Albert Roussel, and Ernest Chausson for Oxford Bibliographies Online.
Indiana University Press | |
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Hardback | |
January 2, 2024 | |
9780253067531 | |
English | |
1168 | |
89 b&w tables, 122 printed music items | |
10.00 Inches (US) | |
7.00 Inches (US) | |
$75.00 USD, £59.00 GBP | |
v2.1 Reference | |
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Oct 2007
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