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The New Physiognomy
Face, Form, and Modern Expression
A fascinating new study of the face, form, and history of expression.
Advances in facial recognition, artificial intelligence, and other technologies provoke urgent ethical questions about facial expressivity and how we interpret it. In The New Physiognomy, Rochelle Rives roots contemporary facial dilemmas in a more expansive timeline of modernist engagements with the face to argue that facial ambiguity is essential to how we value other people.
Beginning with nineteenth-century caricatures of Oscar Wilde's face, Rives reasons that modernist modes of reading the face perceived it as a manifestation of both biologically determined traits and scripted forms of personality. Considering faces such as sculptures of great poets, portraits of facially wounded World War I soldiers, W.H. Auden's aging face, and Cindy Sherman's recent photographic self-portraits, Rives reframes how to read modernist works by Theodore Dreiser, Edith Wharton, Jean Rhys, Joseph Conrad, Mina Loy, Henry Tonks, and Henri Gaudier-Brzeska.
Such examples reveal connections between our specific methods of inquiry in the humanities and other scientific and political modes of understanding humans, challenging the work of contemporary reading technologies—from surface reading to facial recognition technology—that privilege accuracy and objectivity. With a multidisciplinary approach, The New Physiognomy refutes prevailing assumptions about form, inviting us to reconsider how we engage with the language, images, and faces of others. This groundbreaking exploration of modernist representations reshapes our understanding of the complexities of the human face in an increasingly technologically driven world.
About the Author
Rochelle Rives (NEW YORK, NY) is a professor of English at the Borough of Manhattan Community College, City University of New York. She is the author of Modernist Impersonalities: Affect, Authority, and the Subject.
Endorsements
"The New Physiognomy is a brilliant, rigorously researched, beautifully executed book in which Rochelle Rives encounters the problem of the making, unmaking and understanding of faces in the history of modernity. Engaging and briskly written throughout, the book intervenes not only in recent arguments in modernist studies, but in affect, gender, and disability theory as well, creating important new avenues for criticism."
Johns Hopkins University Press | |
Hopkins Studies in Modernism | |
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From 17 | |
Hardback | |
April 9, 2024 | |
9781421448374 | |
English | |
264 | |
90504 | |
21 | |
9.00 Inches (US) | |
6.00 Inches (US) | |
0.88 Inches (US) | |
$94.95 USD, £79.00 GBP | |
v2.1 Reference | |
Paperback / softback | |
April 9, 2024 | |
9781421448381 | |
English | |
264 | |
90504 | |
21 | |
9.00 Inches (US) | |
6.00 Inches (US) | |
0.63 Inches (US) | |
$34.95 USD, £29.00 GBP | |
v2.1 Reference | |
Electronic book text | |
April 9, 2024 | |
9781421448398 | |
9781421448374 | |
English | |
264 | |
90504 | |
21 | |
9.00 Inches (US) | |
6.00 Inches (US) | |
$34.95 USD, £29.00 GBP | |
v2.1 Reference | |
Other Titles from Hopkins Studies in Modernism
The Lyre Book
Baroque Modernity
Behaviorism, Consciousness, and the Literary Mind
Other Titles in LITERARY CRITICISM / Modern / 20th Century
Laden Choirs
Bergson, Eliot, and American Literature
Southern Strategies