Beauty, Love, and the Human Form in the Writings of Ibn 'Arabi and 'Iraqi'
The Sufi masters, Zargar asserts, shared an aesthetic vision quite different from those who have often studied them. Sufism's foremost theoretician, Ibn 'Arabi, is presented from a neglected perspective as a poet, aesthete, and lover of the human form. Ibn 'Arabi in fact proclaimed a view of human beauty markedly similar to that of many mystics from a Persian contemplative school of thought, the "School of Passionate Love," which would later find its epitome in 'Iraqi, one of Persian literature's most celebrated poet-saints. Through this aesthetic approach, this comparative study overturns assumptions made not only about Sufism and classical Arabic and Persian poetry, but also other uses of erotic imagery in Muslim approaches to sexuality, the human body, and the paradise of the afterlife described in the Qur'an.
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"This is an excellent addition to the study of Sufi poetry in Arabic and Persian and a fine defense of the notion that such poetry needs to be situated within the conceptual universe of the poets. The author makes deft use of both primary and secondary sources to bring home his points, focusing on the most sophisticated of the Sufi theoreticians, Ibn 'Arabi and drawing support from several important figures in the Persian tradition, not least Iraqi."—William Chittick, Stony Brook University
"By clarifying the inherent aesthetic values of the Islamic mystical tradition, Zargar has done much to put the discussion of beauty and the unique perceptive experience of gnostics centre stage. This is a useful, scholarly and clearly written book, bringing together many disparate texts . . . in a fresh translation, and it will certainly appeal to anyone interested in Ibn 'Arabi's teachings."—Ibn 'Arabi Society Journal
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