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Russia's Theatrical Past
Court Entertainment in the Seventeenth Century
In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater.
In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts.
Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.
In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts.
Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.
About the Authors
Claudia Jensen is Affiliate Instructor at the Department of Slavic Languages and Literatures, University of Washington. She is author of Musical Cultures in Seventeenth-Century Russia and editor (with Miloš Velimirović) of Nikolai Findeizen's History of Music in Russia from Antiquity to 1800, volumes 1 and 2. Ingrid Maier is Professor Emerita of Russian at the Department of Modern Languages, Uppsala University. She has published several monographs on modern and historical Russian linguistics, Russian cultural history, and Russian translations of 17th-century newspapers, including editions of these translations (Vesti-Kuranty). Stepan Shamin is Senior Researcher at the Institute of Russian History, Russian Academy of Sciences. He is author (in Russian) of Foreign "Pamphlets" and "Curiosities" in Russia from the 16th to the Beginning of the 18th Centuries and Seventeenth-Century Kuranty. Daniel C. Waugh is Professor Emeritus of History, International Studies, and Slavic Languages and Literatures at the University of Washington. He is author of The Great Turkes Defiance and (in Russian) of History of a Book: Viatka and "Non-modernity" in Russian Culture in the Era of Peter the Great.
Reviews
"The eccentric characters, amusing anecdotes, and pointed insights draw the reader in, making this an appetizing work."—Valerie Kivelson, author of Cartographies of Tsardom: The Land and Its Meanings in Seventeenth-Century Russia
"Fascinating and entertaining, Russia's Theatrical Past takes us backstage at Tsar Aleksei Mikhailovich's new court theater in the 1670s, tracking how actors, musicians, and theatrical companies from Northern Europe joined in Moscow with other directors, musicians, and amateur actors (many from the 'German Suburb') and staged works from Biblical epics to Tamburlaine. With on-the-ground detail (sets, casts, salaries, scripts), the authors display the world of theater and performance in Muscovy as a dynamic interchange of Northern European, Ukrainian Orthodox, and Muscovite culture."—Nancy S. Kollmann, Stanford University
"Fascinating and entertaining, Russia's Theatrical Past takes us backstage at Tsar Aleksei Mikhailovich's new court theater in the 1670s, tracking how actors, musicians, and theatrical companies from Northern Europe joined in Moscow with other directors, musicians, and amateur actors (many from the 'German Suburb') and staged works from Biblical epics to Tamburlaine. With on-the-ground detail (sets, casts, salaries, scripts), the authors display the world of theater and performance in Muscovy as a dynamic interchange of Northern European, Ukrainian Orthodox, and Muscovite culture."—Nancy S. Kollmann, Stanford University
Indiana University Press | |
Russian Music Studies | |
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|
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|
Hardback | |
June 1, 2021 | |
9780253056337 | |
English | |
316 | |
14 b&w illus. | |
9.25 Inches (US) | |
6.13 Inches (US) | |
1.47 Pounds (US) | |
$90.00 USD, £70.00 GBP | |
v2.1 Reference | |
Paperback / softback | |
June 1, 2021 | |
9780253056344 | |
English | |
316 | |
14 b&w illus. | |
9.25 Inches (US) | |
6.13 Inches (US) | |
1.08 Pounds (US) | |
$38.00 USD, £30.00 GBP | |
v2.1 Reference | |
Other Titles by Claudia R. Jensen
Musical Cultures in Seventeenth-Century Russia
Claudia R. Jensen
Oct 2009
- Indiana University Press
$45.00 USD
- Hardback
History of Music in Russia from Antiquity to 1800, Vol. 1
Nikolai Findeizen, edited by Milos Velimirovic, Claudia R. Jensen
Feb 2008
- Indiana University Press
$60.00 USD
- Hardback
History of Music in Russia from Antiquity to 1800, Vol. 2
Nikolai Findeizen, edited by Milos Velimirovic, Claudia R. Jensen
Feb 2008
- Indiana University Press
$60.00 USD
- Hardback
Other Titles from Russian Music Studies
Russian Composers Abroad
Elena Dubinets
Oct 2021
- Indiana University Press
$90.00 USD
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$36.00 USD
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Three Loves for Three Oranges
edited by Dassia N. Posner, Kevin Bartig, with Maria De Simone, with contributions by Caryl Emerson, Alberto Beniscelli, Giulietta Bazoli, Domenico Pietropaolo, Ted Emery, Natalya Baldyga, Raissa Raskina, Vadim Shcherbakov, Laurence Sen...
Sep 2021
- Indiana University Press
$50.00 USD
- Hardback
The Last Opera
Chandler Carter
May 2019
- Indiana University Press
$105.00 USD
- Hardback
$40.00 USD
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Other Titles in MUSIC / History & Criticism
The Holy Profane
Teresa L. Reed
Dec 2025
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$20.00 USD
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Dissonant Landscapes
Tore Storvøld
Jun 2023
- Wesleyan University Press
$85.00 USD
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$24.95 USD
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Other Titles in Music reviews & criticism
Musical Maryland
David K. Hildebrand and Elizabeth M. Schaaf - with contributions by William Biehl
Sep 2017
- Johns Hopkins University Press
$52.00 USD
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- Electronic book text
Chasing Sound
Susan Schmidt Horning
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- Johns Hopkins University Press
$32.00 USD
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Putting Modernism Together
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Jun 2015
- Johns Hopkins University Press
$62.00 USD
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$32.00 USD
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$32.00 USD
- Electronic book text