Paperback / softback | |
February 1, 2021 | |
9780253052995 | |
English | |
430 | |
60 b&w illus., 2 b&w tables | |
9.00 Inches (US) | |
6.00 Inches (US) | |
1.39 Pounds (US) | |
$50.00 USD, £39.00 GBP | |
v2.1 Reference | |
Provenance and Early Cinema
Edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams and Joshua Yumibe
Contributions by Camille Blot-Wellens, Germain Lacasse, Grazia Ingravalle, Ian Christie, Noemi Daugaard, Olivia Kristina Stutz, Priska Morrissey, Clara Auclair, Teresa Castro, Anne Sigaud, Ned Thanhouser, Bret Vukoder, Mark Williams, Richard Abel, Patrick Ellis, Allain Daigle, Danielle Crepaldi Carvalho, Martin L. Johnson, Marina Dahlquist, Nadi Tofighian, Gregory A. Waller, André Habib, Ken Eisenstein, Eszter Polonyi, Charles Keil, Christina Stewart, Christina Corfield, Norie Taniguchi and Kim Tomadjoglou
Contributions by Camille Blot-Wellens, Germain Lacasse, Grazia Ingravalle, Ian Christie, Noemi Daugaard, Olivia Kristina Stutz, Priska Morrissey, Clara Auclair, Teresa Castro, Anne Sigaud, Ned Thanhouser, Bret Vukoder, Mark Williams, Richard Abel, Patrick Ellis, Allain Daigle, Danielle Crepaldi Carvalho, Martin L. Johnson, Marina Dahlquist, Nadi Tofighian, Gregory A. Waller, André Habib, Ken Eisenstein, Eszter Polonyi, Charles Keil, Christina Stewart, Christina Corfield, Norie Taniguchi and Kim Tomadjoglou
Remnants of early films often have a story to tell.
As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?"
This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.
As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?"
This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.
About the Authors
Joanne Bernardi is Professor of Japanese and Film and Media Studies at the University of Rochester. She is author of Writing in Light: The Silent Scenario and the Japanese Pure Film Movement. Paolo Cherchi Usai is Senior Curator of the Moving Image Department at the George Eastman Museum and Adjunct Professor of Film at the University of Rochester. He is cofounder of Domitor. He is also author of Silent Cinema: A Guide to Study, Research and Curatorship and editor (with David Francis, Alexander Horwath, and Michael Loebenstein) of Film Curatorship: Archives, Museums, and the Digital Marketplace. Tami Williams is Associate Professor of Film Studies and English at the University of Wisconsin-Milwaukee and President of Domitor. She is author of Germaine Dulac: A Cinema of Sensations and editor (with Elena Gorfinkel) of Global Cinema Networks and (with Kaveh Askari, Scott Curtis, Frank Gray, Louis Pelletier, and Joshua Yumibe) of Performing New Media, 1890–1915. Joshua Yumibe is Professor and Director of Film Studies at Michigan State University. He is author (with Sarah Street) of Chromatic Modernity: Color, Cinema, and Media of the 1920s; (with Tom Gunning, Jonathan Rosen, and Giovanna Fossati) of Fantasia of Color in Early Cinema; and Moving Color: Early Film, Mass Culture, Modernism. He is also editor (with Scott Curtis, Philippe Gauthier, and Tom Gunning) of The Image in Early Cinema: Form and Material.
Reviews
"Provenance and Early Cinema turns critical attention back to Domitor's core commitment to crossing institutional divides between university film departments and film archives/museums. This commitment has always informed the work of the organization, but it has only intermittently been an object of inquiry itself."—Kaveh Askari, author of Making Movies into Art: Picture Craft from the Magic Lantern to Early Hollywood
"At a critical moment like this for international research, putting our artifacts back into their productive context seems to be an increasingly urgent duty. This volume has the merit of questioning the search for a new point of view, a new way to study film sources: a perspective that is more than ever necessary in the digital age, in which copying and sharing have become lightning-fast operations."—Coraline Refort, Drammaturgia
"The scope of the text is such that a researcher with a pre-existing interest in provenance will undoubtedly find both definition and inspiration here, while scholars from other areas will likely find new and novel ways by which to integrate prove- nance into the frameworks of their research."—James Lewis Shelton, Early Popular Visual Culture
"At a critical moment like this for international research, putting our artifacts back into their productive context seems to be an increasingly urgent duty. This volume has the merit of questioning the search for a new point of view, a new way to study film sources: a perspective that is more than ever necessary in the digital age, in which copying and sharing have become lightning-fast operations."—Coraline Refort, Drammaturgia
"The scope of the text is such that a researcher with a pre-existing interest in provenance will undoubtedly find both definition and inspiration here, while scholars from other areas will likely find new and novel ways by which to integrate prove- nance into the frameworks of their research."—James Lewis Shelton, Early Popular Visual Culture
Indiana University Press | |
Early Cinema in Review: Proceedings of Domitor | |
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Paperback / softback | |
February 1, 2021 | |
9780253052995 | |
English | |
430 | |
60 b&w illus., 2 b&w tables | |
9.00 Inches (US) | |
6.00 Inches (US) | |
1.39 Pounds (US) | |
$50.00 USD, £39.00 GBP | |
v2.1 Reference | |
Other Titles by Tami Williams
Performing New Media, 1890-1915
edited by Kaveh Askari, Scott Curtis, Frank Gray, Louis Pelletier, Tami Williams, Joshua Yumibe
May 2014
- John Libbey Publishing
$38.00 USD
- Paperback / softback
Other Titles by Joshua Yumibe
The Image in Early Cinema
edited by Scott Curtis, Philippe Gauthier, Tom Gunning, Joshua Yumibe
Mar 2018
- Indiana University Press
$39.00 USD
- Paperback / softback
Performing New Media, 1890-1915
edited by Kaveh Askari, Scott Curtis, Frank Gray, Louis Pelletier, Tami Williams, Joshua Yumibe
May 2014
- John Libbey Publishing
$38.00 USD
- Paperback / softback
Other Titles by Richard Abel
Motor City Movie Culture, 1916-1925
Richard Abel
Jan 2020
- Indiana University Press
$80.00 USD
- Hardback
$38.00 USD
- Paperback / softback
The Sounds of Early Cinema
edited by Richard Abel, Charles (Rick) F. Altman
Oct 2001
- Indiana University Press
$26.00 USD
- Paperback / softback
Other Titles by Martin L. Johnson
Main Street Movies
Martin L. Johnson
Jan 2018
- Indiana University Press
$90.00 USD
- Hardback
$36.00 USD
- Paperback / softback
Other Titles by Marina Dahlquist
The Institutionalization of Educational Cinema
edited by Marina Dahlquist
Jan 2020
- Indiana University Press
$38.00 USD
- Paperback / softback
$90.00 USD
- Hardback
Corporeality in Early Cinema
edited by Marina Dahlquist, Doron Galili, Jan Olsson, Valentine Robert
Oct 2018
- Indiana University Press
$45.00 USD
- Paperback / softback
Other Titles by Nadi Tofighian
Early Cinema in Asia
edited by Nick Deocampo, with contributions by Charles Musser, Stephen Bottomore, Aaron Gerow, Wimal Dissanayake, Nadi Tofighian, Ritsu Yamamoto, Shahin Parhami, P. K. Nair, Hassan Abdul Muthalib
Oct 2017
- Indiana University Press
$100.00 USD
- Hardback
$42.00 USD
- Paperback / softback
Other Titles by Charles Keil
Beyond the Screen
edited by Marta Braun, Charles Keil, Rob King, Paul S. Moore, Louis Pelletier
Aug 2012
- John Libbey Publishing
$35.00 USD
- Paperback / softback
My Music
Susan D. Crafts, Daniel Cavicchi, Charles Keil,
May 2011
- Wesleyan University Press
$22.95 USD
- Paperback / softback
$17.99 USD
- Electronic book text
Bright Balkan Morning
Charles Keil, Angeliki Keil, photographs by Dick Blau
Dec 2002
- Wesleyan University Press
$39.95 USD
- Paperback / softback
Other Titles in PERFORMING ARTS / Film / History & Criticism
The Year's Work in Showgirls Studies
edited by Melissa Jane Hardie, Meaghan Elizabeth Morris, Kane Race, with contributions by Anna Breckon, Kara Keeling, Adrian Martin, Kieryn McKay, Jane Chi Hyun Park, Zahra Stardust
Feb 2024
- Indiana University Press
$90.00 USD
- Hardback
$38.00 USD
- Paperback / softback
Mavericks
Gerald Peary
Jan 2024
- University Press of Kentucky
$32.95 USD
- Hardback
$32.95 USD
- Electronic book text
$32.95 USD
- Electronic book text
Indecent Detroit
Ben Strassfeld
Dec 2023
- Indiana University Press
$90.00 USD
- Hardback
$38.00 USD
- Paperback / softback
Other Titles in Film theory & criticism
The Year's Work in Showgirls Studies
edited by Melissa Jane Hardie, Meaghan Elizabeth Morris, Kane Race, with contributions by Anna Breckon, Kara Keeling, Adrian Martin, Kieryn McKay, Jane Chi Hyun Park, Zahra Stardust
Feb 2024
- Indiana University Press
$90.00 USD
- Hardback
$38.00 USD
- Paperback / softback
Reorienting the Middle East
edited by Dale Hudson, Alia Yunis, with contributions by Nelida Fuccaro, Firat Oruc, Ammar Al Attar, Bindu Menon, Parisa Vaziri, Sebastian Thejus Cherian, Karolina Ginalska, Kay Dickinson, Suzi Mirgani, Chrysavgi Papagianni, Sean Foley,...
Dec 2023
- Indiana University Press
$90.00 USD
- Hardback
$45.00 USD
- Paperback / softback
African Cinema: Manifesto and Practice for Cultural Decolonization
edited by Michael T. Martin, Gaston Jean-Marie Kaboré, with contributions by Michael T. Martin, Roy Armes, James E. Genova, Femi Okiremuete Shaka, James Burns, Tom Rice, Odile Goerg, Med Hondo, Haile Gerima, Sada Niang, Monique Mbeka Ph...
Aug 2023
- Indiana University Press
$90.00 USD
- Hardback
$42.00 USD
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