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December 29, 2010 | |
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Perverse Romanticism
Aesthetics and Sexuality in Britain, 1750–1832
Through careful and imaginative readings of various scientific texts, the philosophy of Immanuel Kant and Longinus, and the works of such writers as William Blake, Percy Bysshe Shelley, Mary Wollstonecraft, and Lord Byron, Sha explores the influence of contemporary aesthetics and biology on literary Romanticism.
Revealing that ideas of sexuality during the Romantic era were much more fluid and undecided than they are often characterized in the existing scholarship, Sha's innovative study complicates received claims concerning the shift from perversity to perversion in the nineteenth century. He observes that the questions of perversity—or purposelessness—became simultaneously critical in Kantian aesthetics, biological functionalism, and Romantic ideas of private and public sexuality. The Romantics, then, sought to reconceptualize sexual pleasure as deriving from mutuality rather than from the biological purpose of reproduction.
At the nexus of Kantian aesthetics, literary analysis, and the history of medicine, Perverse Romanticism makes an important contribution to the study of sexuality in the long eighteenth century.
About the Author
Reviews
"Sha addresses the ways in which Romantic literature advocated purposelessness in both aesthetics and sexual pleasure: art for art's sake and sex for the sake of sex. His analysis is original and insightful."—Frederick Burwick, University of California, Los Angeles
"An impressive display of Sha's masterful grasp of a wide range of scholarly literature, and a provocative thesis that will be of interest to academics in all three fields."—Katie Gray, H-Net Reviews
"Sha brings to these topics a keen intelligence buttressed by up-to-the-minute scholarship . . . He dazzles by the quantity and breadth of his reading and embodies the best interdisciplinary approaches so many scholars tout but rarely incorporate."—George Rousseau, Social History of Medicine
"His theoretical insights come together with acute readings and strong historical research."—Times Literary Supplement
"Richard C. Sha's fine study takes Byron's theme of 'perversion' in a different direction from the ethical, demonstrating how Romantic medical writing about the perverse influenced literary Romanticism. . . . Fascinating book."—Byron Journal
"Stunningly brilliant and original . . . a distinguished work that is well worth reading."—Geraldine Friedman, Review of English Studies
"Strong scholarship."—Myron D. Yeager, ANQ
"An engaging study."—Declan W. Kavanagh, BARS Bulletin and Review
"Sha's work . . . with its rich and engaging cultural context, significantly broadens and deepens our understanding of Romantic-era sexuality."—Rick Incorvati, Keats-Shelley Journal
"Sha's scholarship on behalf of perversion is formidable, and makes for fun reading."—Paul Youngquist, European Romantic Review
The Johns Hopkins University Press | |
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Hardback | |
December 10, 2008 | |
9780801890413 | |
English | |
376 | |
14 halftones | |
9.00 Inches (US) | |
6.00 Inches (US) | |
1.45 Pounds (US) | |
1.45 Pounds (US) | |
$60.00 USD, £44.50 GBP | |
v2.1 Reference | |
Electronic book text | |
December 29, 2010 | |
9781421402611 | |
English | |
376 | |
14 halftones | |
9.00 Inches (US) | |
6.00 Inches (US) | |
$60.00 USD, £44.50 GBP | |
v2.1 Reference | |
Other Titles by Richard C. Sha
Imagination and Science in Romanticism
Other Titles in LITERARY CRITICISM / Semiotics & Theory
Bergson, Eliot, and American Literature
Dorian Unbound
The Academic Avant-Garde
Other Titles in Literary theory
Bergson, Eliot, and American Literature
A Centaur in London
Dorian Unbound