Paperback / softback | |
April 30, 2019 | |
9789934538223 | |
English | |
296 | |
160 color illus. | |
10.00 Inches (US) | |
8.50 Inches (US) | |
2.5 Pounds (US) | |
$50.00 USD | |
v2.1 Reference | |
Imants Tillers
Journey to Nowhere
For the renowned artist Imants Tillers, whose career spans more than four decades of prolific creative practice, this "journey to nowhere" is neither a homecoming nor a departure, but a fertile and thought-provoking meeting of worlds. The son of Latvian parents who were displaced during the Second World War, Tillers was born in Sydney, Australia, where he spoke Latvian before English and long felt the pull of a distant culture. Displacement, diaspora, and an awareness of the complex weave of cultures mark all his work, from his experiments with installation in the 1970s and trailblazing appropriations in the 1980s to the holistic system of modular (canvasboard) paintings.
With contributions from Elita Ansone, Graham Coulter-Smith, Mark Ledbury, Ian McLean, and Tillers himself, this publication traces the artist's career through his most formative journeys, be they physical, collaborative, or philosophical. As the work crosses vast physical, metaphysical, and mytho-poetic terrain, our authors find themselves in Karosta, Papunya, Cooma, and many distant art-historical shores along the way. From this complex odyssey emerges a distinct and creative vision, that of a visual philosopher who identifies as an outsider in the city of his birth and visitor in his homeland.
With contributions from Elita Ansone, Graham Coulter-Smith, Mark Ledbury, Ian McLean, and Tillers himself, this publication traces the artist's career through his most formative journeys, be they physical, collaborative, or philosophical. As the work crosses vast physical, metaphysical, and mytho-poetic terrain, our authors find themselves in Karosta, Papunya, Cooma, and many distant art-historical shores along the way. From this complex odyssey emerges a distinct and creative vision, that of a visual philosopher who identifies as an outsider in the city of his birth and visitor in his homeland.
About the Authors
Elita Ansone is an art historian and head of the Collections Department at Arsenāls at the Latvian National Museum of Art. Graham Coulter-Smith is author of Deconstructing Installation Art and The Postmodern Art of Imants Tillers. Mark Ledbury is Power Professor of Art History and director of the Power Institute at the University of Sydney. Ian McLean is Hugh Ramsay Chair of Australian Art History at the University of Melbourne. Imants Tillers is an artist who believes that artists should be not only seen but also heard.
Paperback / softback | |
April 30, 2019 | |
9789934538223 | |
English | |
296 | |
160 color illus. | |
10.00 Inches (US) | |
8.50 Inches (US) | |
2.5 Pounds (US) | |
$50.00 USD | |
v2.1 Reference | |
Other Titles by Mark Ledbury
Studies in Eighteenth-Century Culture, Volume 41
edited by Lisa Forman Cody and Mark Ledbury
Apr 2012
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Other Titles by Ian McLean
How Aborigines Invented the Idea of Contemporary Art
edited by Ian McLean
Sep 2011
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Other Titles in ART / Australian & Oceanian
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Daniel Boyd
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Aug 2022
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$60.00 USD
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