Reviews
"An inspired choice of topic. The conceptual framework within which it is presented has been worked out with impressive clarity and delicacy."—Karin Barber, University of Birmingham
"A valuable addition to any collection on human rights or media studies. . . . Highly recommended. Upper-division undergraduates and above."—Choice
"This book will certainly inspire anthropologists working on popular culture. And, because of its thorough theoretical discussions and claims, the monograph will help us not only to disentangle the complexity of Africa's public culture, but it will push us to reflect on methodological and epistemological traditions within the discipline."—Research in African Literatures
"Englund offers a richly textured, descriptive account of knowledge production on air. Although the main aim of Englund's book is to add to ongoing debates on liberalism and human rights, it offers a number of other important contributions to both media anthropology and MCCS. The book's focus on an African language medium . . . , its detailed analysis of both the media production and consumption process . . . and its descriptive rather than normative method result in a fresh approach to media and communication in Africa, an approach that will hopefully provoke similarly oriented studies in the near future."—Journal of Southern African Studies
"Harri Englund's [title] is a humble yet potent book, one that does not proclaim its intentions but allows them to seep into you gradually and indirectly. The slow progression of this book is the result of Englund's laudable strategy to derive the theoretical significance of his arguments from the particulars of his ethnography . . . .August 2013"—American Ethnologist
"Harri Englund's latest book is a challenging synthesis of theory and ethnography . . . Anyone interested in African media and politics . . . will want to read this serious work for the originality both of its case study of a single long-running programme, and of its construction through a variety of questions . . . .August 2013"—Africa
"[E]thnographic analysis of radio is relatively underrepresented in the anthropology of media as well as in anthropology of human rights. Englund's book is a welcome addition to both of these growing fields, and will be of use to any critics of liberalism.Nov. 2014"—PoLAR
"Harri Englund reveals broadcasters' everyday struggles with state-sponsored biases and a listening public with strong views and a critical ear. This fresh look at African-language media shows how Africans effectively confront inequality, exploitation, and poverty.Feb. 2014"—Allegra
"All will find in this book, much that is familiar but set in new contexts, some to dispute or qualify, but considerable to generate conversation and enhance understanding. It is a thoughtful and fascinating work that urges us to be aware of different media, their reception and uses, and the myriad ways in which they speak to and about our worlds."—Intl. Journal African Historical Studies
"Scholars interested in internationalizing media and journalism history will find this book a challenging provocation as Englund makes a compelling case for the need for more studies of media production and reception in the global South . . . April 2013"—Jhistory
"Human rights and African Airwaves is a must read for students and scholars of Africa, human rights, and media studies. . . . At its best, the book is a fierce, grounded commentary—through the lens of a radio program—of the rich imaginations, powerful insights, and wry critiques of everyday Malawians as they try to live their lives as moral beings in the face of poverty, corruption, and injustice."—
"The author's intellectual rigor and analysis provide strong support for his arguments, which may be contentious to some but demonstrate the value of anthropological methods in investigating society. . . . A valuable addition to any collection on human rights or media studies. . . . Highly recommended."—Journal of African History
