Hitchcock and the Censors

"Many Hitchcock books and articles include accounts of censorship, and many books and articles on censorship include material on Hitchcock films. I don't know of any other work that brings the man and the topic together in as businesslike a way as is done in Hitchcock and the Censors. It is an attractive study that offers a valuable, fresh angle on Hitchcock's career."—Charles Barr, coauthor of Hitchcock Lost and Found: The Forgotten Films

"A meticulous deep dive into the sweaty tango between Hitchcock and the Code. Amazing to witness how arbitrary and stringent the rules were and the resulting sacrifices movies had to make. Hitchcock rose to the challenge and made the debates part of his expression—but what a bloody tiresome waste of his time."—Darren Aronofsky

"Here is a book that should have (and could have) been written years ago. Kudos, then, to Billheimer for slogging through the paper trail of correspondence between the British Board of Film Censors and Motion Picture Production Code Office (better known as the Breen Office) and Alfred Hitchcock regarding the content of his many provocative films. Each movie has a history all its own, and while passing reference has been made to censorship in other studies of Hitchcock, this is the first comprehensive book on the subject. No more be said: this is by definition an important piece of work."—Leonard Maltin

"Throughout his career, Alfred Hitchcock battled governmental and industry censors of his films. These struggles are alluded to in many of the biographies and critical studies of this most written about of film directors, but Billheimer's is the first to concentrate on issues of censorship, including a general history of its occurrence from the beginning of the motion picture industry."—Mystery Scene Magazine

"John Billheimer's Hitchcock and the Censors proves that there is always something new to discover about The Master of Suspense. This book is informative even for post-production professionals who are familiar with Hitchcock's mastery of editing, creative use of sound, and memorable music."—CineMontage