Hardback | |
October 3, 2023 | |
9780253067647 | |
English | |
216 | |
9.00 Inches (US) | |
6.00 Inches (US) | |
$75.00 USD, £59.00 GBP | |
v2.1 Reference | |
Paperback / softback | |
October 3, 2023 | |
9780253067654 | |
English | |
216 | |
9.00 Inches (US) | |
6.00 Inches (US) | |
$30.00 USD, £23.00 GBP | |
v2.1 Reference | |
Composing Aid
Music, Refugees, and Humanitarian Politics
Music and arts initiatives are often praised for their capacity to aid in the rehabilitation of refugees. However, it is crucial to recognize that this celebratory view can also mask the unequal power dynamics involved in regulating forced migration.
In Composing Aid, Oliver Shao turns a critical ear towards the United Nations-run Kakuma Refugee Camp in Kenya, one of the largest and oldest encampments in the world. This politically engaged ethnography delves into various cultural practices, including hip hop shows, pastoralist dances, religious ceremonies, and NGO events, in an urbanized borderland area beset with precarity and inequality. How do songs intersect with the politics of belonging in a space controlled by state and humanitarian forces? Why do camp authorities support certain musical activities over others? What can performing artists teach us about the inequities of the international refugee regime?
Offering a provocative contribution to ethnomusicological methods through its focus on activist research, Composing Aid elucidates the powerful role of music and the arts in reproducing, contesting, and reimagining the existing migratory order.
In Composing Aid, Oliver Shao turns a critical ear towards the United Nations-run Kakuma Refugee Camp in Kenya, one of the largest and oldest encampments in the world. This politically engaged ethnography delves into various cultural practices, including hip hop shows, pastoralist dances, religious ceremonies, and NGO events, in an urbanized borderland area beset with precarity and inequality. How do songs intersect with the politics of belonging in a space controlled by state and humanitarian forces? Why do camp authorities support certain musical activities over others? What can performing artists teach us about the inequities of the international refugee regime?
Offering a provocative contribution to ethnomusicological methods through its focus on activist research, Composing Aid elucidates the powerful role of music and the arts in reproducing, contesting, and reimagining the existing migratory order.
About the Author
Oliver Shao is Assistant Professor of Liberal Arts at the School of the Art Institute of Chicago.
Reviews
"Moving beyond applied ethnomusicology into what the author describes as 'critical activist ethnomusicology' the study describes and critiques the diverse ways that different players in the refugee camps engage music and related arts to display layers of power dynamics."—Jean Kidula, author of Music in Kenyan Christianity: Logooli Religious Song
Indiana University Press | |
Activist Encounters in Folklore and Ethnomusicology | |
|
|
|
|
Hardback | |
October 3, 2023 | |
9780253067647 | |
English | |
216 | |
9.00 Inches (US) | |
6.00 Inches (US) | |
$75.00 USD, £59.00 GBP | |
v2.1 Reference | |
Paperback / softback | |
October 3, 2023 | |
9780253067654 | |
English | |
216 | |
9.00 Inches (US) | |
6.00 Inches (US) | |
$30.00 USD, £23.00 GBP | |
v2.1 Reference | |
Other Titles from Activist Encounters in Folklore and Ethnomusicology
At the Crossroads of Music and Social Justice
edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, Katelyn E. Best, with contributions by Kyra D. Gaunt, Steven Loza, Charlotte W. Heth, Paul Austerlitz, Katie J. Graber, Darci Sprengel, Ho Chak Law, Alexand...
Feb 2023
- Indiana University Press
$90.00 USD
- Hardback
$36.00 USD
- Paperback / softback
Theorizing Folklore from the Margins
edited by Solimar Otero, Mintzi Auanda Martínez-Rivera, with contributions by Rachel V. González-Martin, Juan Eduardo Wolf, Miriam Melton-Villanueva, Sheila Bock, Solimar Otero, Rhonda R. Dass, Cheikh Tidiane Lo, Katherine Borland, Itze...
Jun 2021
- Indiana University Press
$80.00 USD
- Hardback
$32.00 USD
- Paperback / softback
Black Lives Matter and Music
edited by Fernando Orejuela, Stephanie Shonekan, foreword by Portia K. Maultsby, with contributions by Fernando Orejuela, Stephanie Shonekan, Langston Collin Wilkins
Aug 2018
- Indiana University Press
$25.00 USD
- Paperback / softback
$55.00 USD
- Hardback
Other Titles in MUSIC / Ethnomusicology
The Land Is Sung
Thomas M. Pooley
Oct 2023
- Wesleyan University Press
$95.00 USD
- Hardback
$26.95 USD
- Paperback / softback
Animal Musicalities
Rachel Mundy
Oct 2023
- Wesleyan University Press
$29.95 USD
- Hardback
$23.99 USD
- Electronic book text
$24.95 USD
- Paperback / softback
The Life of Music in South India
T. Sankaran, edited by Matthew Harp Allen, Daniel Neuman
Oct 2023
- Wesleyan University Press
$85.00 USD
- Hardback
$26.95 USD
- Paperback / softback
Other Titles in World music
The Land Is Sung
Thomas M. Pooley
Oct 2023
- Wesleyan University Press
$95.00 USD
- Hardback
$26.95 USD
- Paperback / softback
Musical Resilience
Shalini R. Ayyagari
Nov 2022
- Wesleyan University Press
$95.00 USD
- Hardback
$26.95 USD
- Paperback / softback
$21.99 USD
- Electronic book text
Seeding the Tradition
Alexander M. Cannon
Jun 2022
- Wesleyan University Press
$95.00 USD
- Hardback
$26.96 USD
- Paperback / softback
$19.99 USD
- Electronic book text