A Guide to Playing the Baroque Guitar

"Tyler's refreshing style of writing is exemplary. Everything is explained in clear, easy-to-read English, without the blight of verbosity so prevalent in other musicological texts."—Early Music Review

"The depth of detail in this volume is thorough and fascinating. Just a look at the chapter headings gives you some idea of the care taken in the researching of the very misunderstood instrument. . . . I cannot praise this volume highly enough. If there is anything not included in here, then it probably wasn't worth mentioning anyway. It is a fitting tribute to a much missed musician and should be snapped up by anyone with the smallest of interest in this fine period in our instrument's history."—Classical Guitar

"It is obvious that Tyler was most concerned about clarity and a sound pedagogical method as he organized this book. It is precisely because A Guide to Playing the Baroque Guitar possesses breadth and accessibility that it is so effective. It is a good addition to any music library."—Notes

"The beginner Baroque guitarist needs a guide before approaching unedited tablature, and James Tyler's new book, A Guide to Playing the Baroque Guitar . . . fulfills that need admirably."—Fontes Artis Musicae

"I recommend [this] book highly to all students, players, and teachers of the Baroque guitar."—Early Music America

"Tyler's detailed explanation of stringing and tuning, playing techniques, notation, and ornamentation will make a vast repertory immediately accessible to anyone who plays the guitar and easily accessible to . . . musicians in general."—Mark Cudek, Peabody Institute, Johns Hopkins University